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Who Mourns For Adonais is one of the most memorable episodes from the classic science fiction television series Star Trek. First aired during Star Trek’s second season, this episode brings the crew of the USS Enterprise face-to-face with Apollo, a powerful being from Greek mythology. Fans continue to discuss various aspects of the episode, from its gripping script to standout performances by guest stars Leslie Parrish and Michael Forest, who famously played Apollo. Over the years, Who Mourns For Adonais has inspired spirited conversations on platforms like Reddit, and its influence can still be felt in Star Trek lore, linking to episodes like The Doomsday Machine.
“Who Mourns for Adonais?” is a memorable episode from the second season of Star Trek: The Original Series, first aired in 1967. The story begins as the USS Enterprise approaches the planet Pollux IV, only to be suddenly trapped by a giant, glowing energy hand. This mysterious force belongs to Apollo, who claims to be the last of the ancient Greek gods who once walked Earth. Apollo demands that the crew abandon their ship and worship him, believing humanity still needs gods to guide them.
Captain Kirk and his team soon discover that Apollo’s powers are real but fading, dependent on an energy source that the Enterprise crew must destroy to free themselves. The episode explores themes of old power structures struggling to maintain relevance in a modern world, with Kirk famously telling Apollo, “Mankind has no need for gods.” There’s also a subplot involving Lt. Carolyn Palamas, an archaeologist who briefly falls under Apollo’s spell, highlighting the tension between myth and progress. Overall, the episode blends classic mythology with sci-fi adventure, questioning the place of gods in a future shaped by reason and exploration.
“Who Mourns for Adonais?” is a memorable episode from the second season of Star Trek: The Original Series, first aired in 1967. The story begins when the USS Enterprise is mysteriously caught by a giant glowing green hand, which turns out to be the power of Apollo, who claims to be the last of the Greek gods. Apollo demands that the crew worship him as their ancestors once did, promising to provide for their needs, but Captain Kirk firmly refuses. The episode explores the clash between ancient power and modern humanity, with Kirk famously telling Apollo, “Mankind has no need for gods”—a line that highlights the show’s optimistic view of human progress.
The episode also features Lieutenant Carolyn Palamas, an expert in Greek mythology, who becomes the focus of Apollo’s attention, creating tension and drama. While the premise of ancient gods as powerful aliens is intriguing and visually impressive for its time, some viewers find Apollo’s character a bit verbose. Still, the episode is praised for its special effects, philosophical themes, and strong performances, especially Michael Forest as Apollo. It’s a classic example of Star Trek blending mythology with science fiction to ask deeper questions about belief and power.
The Star Trek episode “Who Mourns for Adonais?” features the classic original series cast, including William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForest Kelley as Dr. McCoy, James Doohan as Scotty, Walter Koenig as Pavel Chekov, George Takei as Sulu, and Nichelle Nichols as Uhura. The story introduces Michael Forest as Apollo, a powerful alien who once was worshiped as the Greek god Apollo. Leslie Parrish plays Lt. Carolyn Palamas, an archaeologist and anthropologist who becomes involved in the encounter with Apollo. The episode explores themes of mythology, belief, and the fading power of ancient gods in the face of human progress.
The cast delivers a memorable performance, with Kirk and his crew confronting Apollo’s demand for worship and ultimately challenging his godlike status. Scotty has a notable role, showing his protective side, while Chekov adds youthful skepticism. Apollo’s character is both imposing and tragic, embodying the loneliness of a god who has lost his followers. This episode blends sci-fi adventure with philosophical questions, making the cast’s dynamic essential to its impact.
“Who Mourns for Adonais?” is a memorable episode from Star Trek: The Original Series Season 2, where the USS Enterprise encounters a powerful being claiming to be Apollo, the last of the Greek gods. The episode begins with the Enterprise caught by a giant, energy-formed hand as it approaches the planet Pollux IV. Captain Kirk and his crew soon find themselves captive on the planet’s surface, facing Apollo, who demands they worship him as a god.
The story explores the clash between ancient mythology and futuristic science, presenting Apollo as a lonely, tyrannical figure who struggles to maintain his fading power over humanity. Lt. Carolyn Palamas, an archaeologist aboard the Enterprise, becomes a key character as she initially is drawn to Apollo but eventually rejects his authoritarian control. The episode highlights themes of progress, with Kirk famously telling Apollo, “Mankind has no need for gods,” emphasizing humanity’s reliance on technology and democracy rather than divine rule.
While the episode has been critiqued for reusing ideas from earlier stories, it remains a thoughtful blend of sci-fi adventure and philosophical debate, questioning the relevance of gods in a modern, spacefaring society.
The Star Trek episode “Who Mourns for Adonais?” is a classic from the original series where the crew of the USS Enterprise encounters a powerful alien claiming to be Apollo, the Greek god. The episode starts with the ship being trapped by a giant glowing green hand made of energy, which turns out to be Apollo’s doing. He demands that Captain Kirk and his landing party come down to his planet and worship him, expecting the crew to honor him as their ancestors once did.
The story explores themes of mythology meeting science fiction, imagining ancient gods as advanced aliens whose powers seemed divine to early humans. Lieutenant Carolyn Palamas, an expert in Greek mythology, plays a key role, especially as Apollo shows a disturbing interest in her. The crew resists Apollo’s control, with Kirk famously declaring that humanity no longer needs gods, emphasizing Star Trek’s optimistic view of human progress.
Fans on Reddit often discuss this episode for its blend of myth and sci-fi, its philosophical questions about power and belief, and Michael Forest’s memorable portrayal of Apollo. It’s seen as a thoughtful, if somewhat theatrical, episode that challenges old ideas about gods and authority in a fun, adventurous way.
Who Mourns for Adonais? is a memorable episode from Star Trek that explores the clash between ancient mythology and modern progress. The story centers on Apollo, who claims to be the Greek god himself, and who once ruled over humans as a deity. The crew of the Enterprise encounters him and, while they acknowledge his claims as genuine, they also recognize that humanity has outgrown the need for gods to control or dominate them.
The episode uses Apollo as a symbol of old myths and authoritarian power, contrasting it with the hopeful future of technology and democracy represented by Kirk and his crew. In a powerful moment, Kirk orders the destruction of Apollo’s temple, which leads to Apollo fading away—signifying the end of humanity’s subjugation to ancient gods and the rise of human independence. The story also touches on themes of power, freedom, and the dangers of clinging to outdated beliefs. Overall, Who Mourns for Adonais? is both a tribute to mythology and a statement about moving forward beyond it.
Leslie Parrish, born Marjorie Hellen on March 18, 1935, is an American actress, activist, environmentalist, writer, and producer. She began her career as a model and then became an actress in 1955, initially working under her birth name before changing it to Leslie Parrish in 1959. Over her career, she appeared in more than 100 television shows and films, with notable roles in The Manchurian Candidate and Star Trek. Her favorite role was Jocelyn Jordan in The Manchurian Candidate, where she acted alongside stars like Frank Sinatra and Laurence Harvey. She also guest-starred in Star Trek as Lt. Carolyn Palamas in the memorable episode “Who Mourns for Adonais?”.
Beyond acting, Leslie Parrish is known for her activism, particularly in civil rights and environmental causes, reflecting her deep commitment to social issues. She was also one of the first women producers in Hollywood. Despite opportunities for major stardom, she often chose to avoid the spotlight, preferring to focus on meaningful work outside of fame. She was married to writer Richard Bach from 1981 to 1999, whom she met during the making of Jonathan Livingston Seagull.
Michael Forest, born Gerald Michael Charlebois in 1929 in Harvey, North Dakota, is an American actor known for his rich and varied career in film, television, and voice acting. He moved to Seattle at a very young age and later earned a B.A. in English and Drama from San Jose State University. One of his most memorable roles was playing the god Apollo in the 1967 Star Trek episode “Who Mourns for Adonais?”—a part he reprised nearly five decades later in the fan series Star Trek Continues alongside his wife, Diana Hale.
Throughout his career, Forest appeared in many classic TV shows like The Alaskans, Zorro, The Twilight Zone, and The Dick Van Dyke Show. Interestingly, he often portrayed Native American characters and later discovered through genealogy that he was part Sioux and Chippewa himself. Beyond acting, he lived in Europe for a decade, embracing the culture and making films across Spain, France, and England. His voice work includes roles like Prince Olympius in Power Rangers Lightspeed Rescue, showcasing his versatility across different media.
Michael Forest is best known among Star Trek fans for his memorable role as Apollo, the powerful alien god, in the original series episode “Who Mourns for Adonais?” This role, which aired during the show’s second season, became a defining moment in his long and varied acting career. Forest brought a commanding presence and charisma to Apollo, making the character unforgettable to viewers even decades later. Beyond Star Trek, he has enjoyed a rich career spanning over sixty years, appearing in classic TV shows like Zorro, The Twilight Zone, and The Dick Van Dyke Show, as well as numerous films and stage productions.
Interestingly, Forest discovered later in life that he has Native American heritage, being one-eighth Sioux and Chippewa, which added a personal dimension to many of the Native American roles he portrayed early in his career. Even in his 90s, Forest remains active in the entertainment world, reprising his role as Apollo in fan-made Star Trek productions and attending conventions, delighting longtime fans. His dedication to his craft and his enduring connection to Star Trek have made him a beloved figure in sci-fi circles and beyond.
Doomsday is often thought of as the ultimate day of reckoning, when the world faces its final judgment or catastrophic destruction. In many religious traditions like Christianity, Islam, and Judaism, it refers to the Last Judgment, a moment when all souls are judged and the fate of humanity is decided. Beyond religion, doomsday also describes any scenario involving great disaster or the end of the world, often explored in science fiction and global risk discussions.
People sometimes use “doomsday” to talk about a time when everything seems to go wrong or when a major crisis feels inevitable. It’s a powerful word that captures both fear and fascination with the unknown future. While it can sound frightening, the idea of doomsday also encourages reflection on how we live and what we value. Whether seen as a literal event or a metaphor for major change, doomsday reminds us of the importance of hope and preparedness in uncertain times.
In conclusion, “Who Mourns for Adonais?” stands as a poignant exploration of the themes of divinity, worship, and the human condition within the Star Trek universe. This episode challenges characters and viewers alike to confront the complexities of power and the nature of love, as they navigate the intricate relationship between mortals and gods. Through its rich symbolism and thought-provoking narrative, the story not only examines the consequences of adoration but also underscores the profound connections that bind us to one another. Ultimately, it invites us to reflect on the legacies we choose to honor and the figures we elevate in our collective consciousness.